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In the footsteps of St. Lucy's Day: witch tales, charms, and common sense – with sustainable winter getaways

13 December, St Lucy’s Day, is one of the most symbolically rich days in Hungarian folklore: it is associated with both light and darkness, prohibitions, divinations, fertility magic, and yes, the figure of the witch. The green of the Lucy wheat, the legend of the Lucy chair, or the ‘kotyolás’ tradition all reflect how our ancestors tried to take control of the darkest period of the year – through communal rituals, playful (and sometimes frightening) stories, and practical protective customs.

From the perspective of sustainable tourism, St. Lucy's Day is a particularly rewarding topic: it provides travel motivation during the cold season with lower impact, steering away from "sensations" and towards local heritage, museums, and storytelling. The following three destinations embody this perfectly: they offer cultural experiences while strengthening local community memory and promoting meaningful, responsible winter travel.

Tokaj-Hegyalja: where they declared "witches do not exist" – and where the stories still live on (Hungary)

Tokaj-Hegyalja (the Tokaj Wine Region Historic Cultural Landscape) is a UNESCO World Heritage Site: the combination of land use, viticulture, and settlements represents a heritage inherently tied to long-term thinking.

Tarcal: a single sentence that has become a tourism story

The local narrative of Tarcal is linked to an iconic medieval decree by King Coloman the Learned: his famous proclamation (“about witches... since they do not exist...”) is associated with the settlement. This “witches do not exist” message has now become a creative, light-hearted yet historically rooted reference in Tarcal's tourism communication.

From a sustainability perspective, Tarcal tells its story “well”: not by overemphasising mysticism, but with a clever duality where fearsome beliefs are framed by common sense, local history, and cultural landscape. This also helps ensure that visitors come not for a “witch hunt” but to interpret, learn, and connect.

Bodrogkeresztúr: the “Prison” site of the Keresztúri Kincsestár and witchcraft stories

In Bodrogkeresztúr, one of the strongest elements of the Keresztúri Kincsestár is the storytelling linked to the “Prison” site. Local descriptions highlight that the town’s everyday life was marked not only by “earthly” crimes but also by “mystical, underworld tales,” with “an incredible number of stories and legends about the village’s witches,” curses, milk spoiling, and even discovery tales linked to the St. Lucy’s chair.

Here, St. Lucy’s Day is not abstract folklore but part of the local community’s microhistory: stories like “how they identified the witch” reveal how a community’s memory, fears, and humour operate simultaneously. From a sustainable tourism perspective, this offers a typical “small-scale, high-value” experience: it requires little infrastructure but is impactful and rooted in local content.

Tokaj-Hegyalja: where they declared "witches do not exist" – and where the stories still live on (Hungary)

Szarvas: Tessedik Sámuel Museum – “witchcraft tourism” in the exhibition (Hungary)

At the Tessedik Sámuel Museum in Szarvas, the theme of witchcraft becomes an exhibition experience. The museum’s “Witchcraft Tourism” exhibition explicitly aims to “guide visitors into the world of witches” while using modern, interactive tools: digitally browsable content, videos, VR experiences, and games exploring the interplay of “curses” and “healing.”

One of the exhibition’s strongest sustainability (and educational) connections is Tessedik Sámuel’s perspective: the display emphasises how, in the 18th century, Tessedik viewed superstition as an obstacle to the spread of scientific thinking and considered the world of beliefs as a socio-economic issue. The museum’s framework thus helps ensure that the figure of the “witch” is not mere mysticism but part of historical and mental history.

Sustainability tip: as a museum programme, this is an ideal winter destination – year-round, weather-independent, supporting a local institution, and building the visitor experience on knowledge and interpretation.

Szarvas: Tessedik Sámuel Museum – “witchcraft tourism” in the exhibition (Hungary)

Ribe, Denmark – HEX! Museum of Witch Hunt: when people feared each other

In Ribe, Denmark, the HEX! Museum of Witch Hunt explores the social mechanisms of 16th–17th century witch trials: how fear turns into suspicion, suspicion into accusation, and accusation into irreversible consequences. The museum highlights that Ribe was a key centre of Danish witch trials, with its streets serving as the backdrop for Denmark’s most famous case, the trial of Maren Spliids, who was burned as a witch in 1641.

As a parallel to St. Lucy’s Day, this site is particularly powerful: while folklore often recounts “recognition” techniques (like the St. Lucy’s chair), HEX focuses on what happens when the desire for recognition becomes institutionalised power. The visit is thus not about “thrills” but responsible remembrance and learning.

Sustainability tip: Ribe’s historic urban fabric and the museum’s focus support slow, pedestrian exploration with low impact and high cultural value.

Image: © Sydvestjyske Museer  Photo: Gitte Lindeborg

Ribe, Denmark – HEX! Museum of Witch Hunt: when people feared each other

Zugarramurdi, Spain (Navarra) – cave and Witch Museum, nature and myth in one route

Zugarramurdi is an excellent international example because the “witch” theme here connects both to the landscape and an exhibition. The official tourism site promotes two main attractions: the Cueva de Zugarramurdi cave and the Museo de las Brujas (Witch Museum), offering visitors both a natural experience and an interpretive cultural framework in one location.

According to the museum’s description, the storytelling goes beyond the term “witch”: it includes mythological figures, medicinal plants, folk medicine, and rituals, presenting the theme as part of the local cultural ecosystem. Additionally, Navarra’s tourism communication explicitly recommends slow, interconnected routes in the region (caves and forest walks), ideal for sustainable itinerary planning.

Sustainability tip: the site works responsibly when cave visits are consciously paired with museum interpretation, and nature walks prioritise designated paths and low-impact solutions.

Image source: Visitnavarra.es

Zugarramurdi, Spain (Navarra) – cave and Witch Museum, nature and myth in one route

Lancashire, United Kingdom – “On the Trail of the Pendle Witches”: a story to explore through the landscape

The story of the Pendle witches (1612) is one of Lancashire’s most famous heritage narratives, forming the basis of a route-based visitor experience. Visit Lancashire’s guide offers a “trail” concept: the tour starts at the Pendle Heritage Centre and follows the paths of the story’s characters through the Ribble Valley to Lancaster Castle, where the trials took place.

The Pendle Heritage Centre is not just a “starting point” but a standalone sustainable attraction: a museum and visitor centre that interprets the Pendle witches’ story as local heritage, complemented by gardens, short walks, and a tearoom – making it easy to organise as a low-impact, leisurely multi-hour experience.

Sustainability tip: such heritage trails are authentic and responsible when the story is presented not as an “attraction” but as a lesson, encouraging visits to local providers, institutions, and pedestrian exploration.

Image: https://www.visitlancashire.com/things-to-do/the-lancashire-witches

Lancashire, United Kingdom – “On the Trail of the Pendle Witches”: a story to explore through the landscape

Just as St. Lucy’s Day stands at the boundary of light and darkness, these destinations guide us along the border of past and present: they reveal how witchcraft stories were born, their role in community life, and what we can learn from them today. Tarcal’s rational message, Bodrogkeresztúr’s tales, Szarvas’s museum interpretation, and the international examples all invite us to build understanding rather than sensation from legends. By travelling slower, focusing on local storytellers and institutions, and respectfully engaging with the lessons of “dark heritage,” a winter getaway can become not just an experience but a meaningful, sustainable encounter with a landscape, a community, and our own cultural memory.

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